I close the thick paperback and set it on our maple coffee table.
Mr. T is working on my laptop at the opposite end of the couch, closest to our 32-inch rear-projection TV. The room is almost dark so the computer screen spotlights his face. Behind his profile, I see that the listings on Channel 74 are rolling through. I stare straight ahead at them, but I don't notice what's on.
After a few rotations, I shake my gaze and look out the large window over the back of the couch and my right shoulder. My only reading light is about to go out, but it doesn't matter because I finished the book. I search the sky, take notice of a few puffy clouds among the twilight and breathe in the scent of artichoke and spinach pasta.
We are so lucky.
I shut my wet eyes.
***
Some stories affect me. Make me think about life and my life and my family. I can't help it. Does this happen to other people?
Khaled Hosseini's The Kite Runner did this to me. But it wasn't just his amazing plot or prose, it was the setting: Afghanistan. Like the twisting Khyber Pass described in the novel, the story winds the reader through the nation's modern history of war, from relative calm in the 1970s until the Soviet invasion later that decade and then the sharp turn to the height and terror of the Taliban's reign in the '90s.
I finished it on Sunday night, the day after Independence Day. We are fortunate to live here in America, to not have to walk around with fear in our bellies, but instead with the fresh-picked taste of freedom.
***
Earlier that evening, I slide on my flip-flops and buckle T Junior into his ride-on toy for our nightly stroll through our suburban Seattle neighborhood. We set out around the same time each day, just after the sun has crested, when it is ready to slide down the other side of the ocean. I push T Junior in the convertible Beetle-style car we bought him for his first birthday and he points a tiny, enthusiastic index finger at every vehicle -- van, Jeep, truck, bike or motorcycle -- that whizzes by.
As we turn into the first cul de sac on our route, T Junior rips his right fingers from his mouth to motion toward a lawn being watered. A string of saliva slingshots across the hood of his ride.
"Dis?"
"That's a sprinkler."
We pass it and he rocks his shoulders in time to the slow rhythm of the Rain Bird's song: cheh...cheh...cheh...cheh...cheh...
"You're funny!"
We make our way around the wide loop at the end of the street and I think about the book I plan to finish tonight. I think about Afghanistan and its people. I think about green lawns and hoses and mowers.
Back at the mouth, the soundtrack to the American dream is audible again and T Junior starts swaying along...cheh...cheh...cheh...cheh...cheh...but then, the beat changes as the sprinkler rewinds itself: ch-ch-ch-ch-ch-ch-ch. T Junior reacts and stays in step by dropping each shoulder down and then up again and again, dancing from his hips in his little red car.
His choreography and coordination surprises me, and I am laughing and shaking my head as we turn the corner onto the main road. T Junior dances, slow then fast, and slow then fast until the sprinkler is out of earshot.
We are so lucky.




